Erik Satie’s Nocturnes

 

It is said that Satie reached the heights of his compositional abilities late in life, and I have to wholeheartedly agree. While most people are only aware of the Gymnopedies and a few other compositions by Satie, the Nocturnes are by far my different. At only 13 minutes combined length, they represent a huge leap forward in tonal composition style, breaking away from Satie’s earlier light and meditational atmosphere and embrace the melancholic and heartbreakingly sad. It’s incredible to me how sad these pieces are, like recalling a memory of a bygone era. One is immediately transported into the quiet night streets of early 20th century France, snow falling on a hill…the mental image it conjures up may differ depending on the person, but one thing is for sure, the chord structure and harmony is definitely innovative. The blog post I have linked to below says this on the subject:

“It was not without good reason that the label ‘outsider’ stuck to Satie. As of his earliest compositions he was in search of alternatives to the tonal harmony that was still the unquestioned convention when he began his training at the Paris Conservatoire (1879–87). This search runs like a red thread through all of his works, and was certainly absolutely independent of the stylistic orientation of individual works, reaching indeed, as we know, from echoes of the medieval and exotic to the then popular cabaret music.”

This last comment is particularly intriguing to me. Without going too in-depth into the harmonic style and complexity of the Nocturnes (which I am definitely not able to do with justice), I find the connection between medieval harmony and Erik Satie to be accurate just from my musically trained ear. The style in the Nocturnes, for example, has a certain gravity about it that invokes a kind of sacred atmosphere. To be more musically specific, in almost all of Satie’s pieces, the left and right hand are given almost complete independence: either the left hand is playing chords and the melody floats on top, or often there are two independent melody lines played by the left and right hands. This latter technique occurs in the Nocturnes and evokes a medieval-style chorus with interweaving melodies. I am reminded of a particular piece (not available on Youtube) that also happens to be written by a Frenchman, called Veni Creator Spiritus by Perotin- one of the earliest known composers we have a name for! Perhaps the great Satie was influenced by the chanting that could still be heard in Notre Dame Cathedral where Satie was choir master. Who knows?

 

 

http://www.henle.de/blog/en/2014/09/29/composing-made-easy-on-erik-satie%E2%80%99s-%E2%80%98nocturnes%E2%80%99/

Advertisements

The frightening, unacceptable nature of the infinite

https://www.universetoday.com/83167/universe-could-be-250-times-bigger-than-what-is-observable/

The article linked to above covers the most plausible science of what lies beyond the observable universe. The theory is that if the theory of the inflationary universe is correct (and all evidence points to the fact that it is correct) than the universe is at least 250 times larger than what is currently observable. To begin with, the size of the observable universe is around 90 billion light years wide. That means it would take light, which moves almost exactly 300,000 km/s (kilometers, not meters) 90 billion years to traverse the diameter of the universe. To quote the article:

“Since special relativity states that nothing can move faster than a photon, many people misinterpret this to mean that the observable Universe must be 13.75 billion light years across. In fact, it is much larger. Not only has space been expanding since the big bang, but the rate of expansion has been steadily increasing due to the influence of dark energy. Since special relativity doesn’t factor in the expansion of space itself, cosmologists estimate that the oldest photons have travelled a distance of 45 billion light years since the big bang. That means that our observable Universe is on the order of 90 billion light years wide.”

Therefore, the universe is expands even faster than the speed of light, and because of that certain parts of the universe are forever beyond our light cone. Because of this, they are even beyond the realm of causal interaction- everything beyond the 90 billion light year diameter of the universe cannot interact with the observable universe except perhaps through gravity.

Let’s expand further: if the theory of the inflationary universe correct, then the universe is at least 250x larger than what is currently observable (somewhere on the order of 100 sextillion light years across). But why, then, can the universe not be infinitely large?

It seems we are faced with a contradiction. It seems impossible to empirically prove that the universe goes on forever because of physical constraints and the sheer logical fact that it would not be possible to observe an infinite distance in the first place because conceivably, one could always say “perhaps the end is still beyond that”. If it can be a priori proven from mathematical principles seems dubious at best- the debate rages on between those who say the universe is flat or curved. However, most current data favors a flat and therefore spatially infinite universe.

This idea of measuring the spatial curvature of the universe however does not take into account the fact that at some point beyond the observable horizon of the universe the curvature suddenly increases or is so close to 0 but not being 0 that it is impossible to tell. Thus the problem of infinitesimals meets the infinite.

However, the article expresses a kind of reticence to pronounce that the universe is probably infinite. It is simply “too hard to accept”- they would rather go with the title “universe could be 250 times bigger than what we can see.” For some reason, it is more shocking to say that the universe is 250 times rather than infinitely larger than expected. Somehow, infinity gets reduced to 0. How is this possible? Because infinity, as an endless repetition, is essentially boring. I’ve written about this before, but strictly speaking, humans cannot truly comprehend the infinite, and so they collapse into concepts that are seemingly opposite to it, such as nothingness. Something that is infinitely larger than something is now beyond human comparison, and therefore cannot be gawked at. What is funny is that this is even done by cosmologists.

Take this Quora answer by a mathematics professor, repeating the standard line that the number of electrons in the universe is 10^80 and therefore it is countable and finite:

https://www.quora.com/Is-the-universe-countable

If all the evidence points to an infinite universe, even though it is essentially not possible to prove otherwise, it will never be proclaimed as a fact. Why? There is still more to explore! Infinity violates the boundaries of science- it introduces the metaphysical into the mathematical. If the universe is infinite, what type of infinity is it? Countably infinite? Uncountably infinite?

These are questions that will probably never be answered, but my money is on uncountably infinite. Why? Because the “boundary” of what consider the universe isn’t actually a boundary at all. I’ve pointed out the narrow-mindedness of physicists before when it comes to theories of the universe and the most abstruse theories out there (string theory, holographic theory). There are only boundaries it seems when it comes to the human imagination (of some humans). Even I don’t believe these are insurmountable barriers to human knowledge. I do not believe, as Leonard Susskind claims, it is simply impossible to understand things like quantum physics directly or intuitively. The human brain is a finite organ in space and time, but it has the astounding ability to conceptually grasp things even beyond what is considered “normal life”.

The fundamental Buddhist insight- that what we see is not how reality truly is- is absolutely fundamentally correct. Everything we know about reality points to this, because there are simply things we cannot see- atoms, worlds far beyond our own. The structure of things, their nature, is not possible to grasp with the five senses alone- Plato and the great thinkers of the past knew that very well just from their experience- they knew there was something more to what we see. However, the Platonic vision of reality is also fundamentally limited. Concepts like nirvana or even “the universe” are also only ultimately constructs. Reality as it is is beyond at least average conceptual understanding. Where the real conceptual leap must occur is into the realm of what Buddhist philosophy calls “non-conceptual thought”, which to the rationalist mind is simply an error. Such a thing is not possible. However, if we were to gain some sort of insight into the nature of things like “uncountably infinite” we would in fact have to go beyond our normal concepts for things which operate in terms of metaphors which only apply to the here and now.

To conclude, when thinking of the idea of the uncountable, the mind encounters accepting a limit. It tries to convert the idea of uncountable to something more mundane, like “countable if given an infinite amount of time”. But this is not a correct definition of uncountable. Therefore, if we were to truly accept something of the order of “the universe is uncountably infinite” we would have to accept things like “a theory of everything is not possible”. And yet, science continues to grasp for this theory. And the question is obviously- why? Because the search for truth seems to be something inherent to humanity. Perhaps this particular strain of searching is historically contingent, but modern physics and science now desperately wants this TOE.

My theory is that the TOE stands ultimately for the purpose of science itself, its floating signifier, a signifier which is beyond the bounds of all the other signifiers. The TOE, if thought to be obtained, would not be in fact the TOE. Instead, there would be an illusory nesting egg effect- “TOEs” inside of TOEs. Ultimately, paradoxes will always plague science, as long as it continues to exist.

 

Difference and Repetition: John Coltrane, modal music, and the value of musical preservation

Skip in the video to 1:15, and a 40s-style big band instrumental instantly transforms into a recognizable melody you may know from “Impressions” by John Coltrane. What is most fascinating is that the lineage of this tune first passed from Miles Davis’ copying of the chord progression of the middle section of the song, and only later did Davis’ former saxophonist partially copy the melody of “Pavanne” and speed it up. In this way, one of the most recognizable standards in jazz is not only a poetic mimesis or “hard bop” version of a modal piece, but the entire basis for the modal genre is based on a simple unassuming big band tune. In this way, one realizes that, to use Deleuzian language, from an existing strata, there are deterritorializations that moves “forwards and backwards at once” as Coltrane famously said.

This is just more evidence that the cliche that “all good music is stolen” may in actuality have a huge amount of truth. There is no such thing as pure innovation, and things that ultimately seem like “gifts” from a divine or deep source, but a product simply of culture.

But what gives “Impressions” that special something, could that be the spark of something else? Maybe we will never know.

I seem to have a strange attraction to music that is lushly chordal, and sometimes the simpler and more melancholy the better. To me, the real pioneers of modal music were the ancient makers of polyphonic chant, Leonin and Perotin, in the late 1100’s!

 

 

Perhaps the most profound and numinous of all things in the world of music is the simple chord that resonates and echoes into an empty chamber. What jazz did was find the soul in the groove, in the rhythm, but perhaps modal jazz was not an innovation, but rather a reterritorialization or appropriation of the Western canon, or the harmonic tradition itself. And yes, this song by Perotin is in Dorian, just like Impressions. There is something about the Dorian mode itself, beyond what any frail human can do with it. What Coltrane did with impressions was a combination of speed, groove, and ambiance. But the essentials of beauty in music come from harmony, the realm of the sacred, while the realm of rhythm has always (in the Western tradition) been the realm of the secular. Renaissance music was essentially a combination of the bard’s dance and sacred themes, and the most ancient precursors to the jazz quartet was the roving band of minstrels (coupled with the Gospel choir, a fusion of the African dance and, again, the harmonic Western tradition).

Perhaps Miles Davis and Coltrane went back to the hymnals for inspiration? It is clear that Coltrane found new spiritual territory on A Love Supreme, with its repetitive meditative themes. But here Coltrane found an entirely new territory- the Orient, the East, which has its own sacred trance-like tradition. In jazz, inspired creativity of several disparate cultures became one. Music that touches the ineffable or sacred, despite its “all too human” origins, if it reaches excellence in the individual bodies of humans who must perform it, all of the sudden “transcends” its station. The voices of choir members suddenly are “transubstantiated”. The transcendental dimension, far from being a Platonic dimension that can be accessed by Reason, or a divine realm accessed by faith or divine providence, is simply immanently transformed into something beautiful, through the process of differentiating and being faithful to what can only be called tradition.

What is truly incredible is the remarkable human process of cultural capture and dissemination, of transmission itself. The music of the world, now that we are becoming globalized, is now being cataloged, preserved, and a new generation of musicologists born. It is our shared human heritage. Far from something that only makes culture into a museum, anthropologists and ethnomusicologists, along with regular members of society, take this shared wealth and keep it for future generations to enjoy. If it is divorced from its original context, we cannot continue to daydream and wax nostalgically about a dying past: we must do the slow and steady work of salvaging, of bringing up diamonds from the rough. So when Sonny Rollins said, when the latest John Coltrane “Lost Album” was unearthed, “its like finding a new room in the Great Pyramids”, he is not far from the truth. Rollins understands that Coltrane is part of America’s musical heritage, part of us. Without our history, our all too human, but our fascinating, noble, and beautiful history, we are nothing, we sacrifice the future.

 

Tales from Iceland: the savageness of nature

Finally the blog will live up to its name!

In my travels I frequently end up talking to tour guides and paying very close attention to what they say. I had an excellent guide through the Golden Circle (a circle of three important stops outside Reykjavik- Thingvellir National Park, Geysir, and Gullfoss waterfall) whom I had an excellent conversation with. The guy’s name is Elvar (sic) on the Grayline Iceland Golden Circle classic tour. Great guy- Elvar if you are out there, you’re a good bloke! He had an extensive knowledge of Icelandic folklore and we had a great conversation about Icelandic culture, history, and folklore. Elvar expertly woves tales of the Ejill saga with the history of the drowning pool at Thingvellir, the law rock of the Alþingi, the war of the bishops, and of course- elves! Tourists to Iceland get no shortage of stories of elves.

If you go to Iceland, you have to do the Golden Circle tour, its incredible. We got to pet Icelandic horses and everything- and it wasn’t that expensive at all! Iceland is a travel gem- just don’t eat very much in Reykjavik! The prices are as gargantuan as the snow capped peaks. Go to the Bonus grocery stores if you are on a budget.

But back to the real reason I’m writing about Iceland: it’s culture. My guide very adeptly identified that religion for Icelanders is a complicated matter because they became Christian very late- around 1000 AD, and even still they retained much of their folk belief. For instance, the bishops had regular discussions about what to do in case of encountered a giant or troll!

That’s Iceland for you, still a relatively remote region of the world, despite its connection to the larger Scandinavian area. The rural areas of Iceland are very cut off- there are many small towns of less than 1000 people. There are still a few houses I saw tucked away all by themselves on the mountainside amidst vast tundra plains of rock and moss.

In this way, Iceland reminded me very much incidentally of Bhutan, another mountainous country in which they have many stories of nature spirits who inhabit the waters and rocks. If there’s anything I learned, its that Icelandic folk belief is almost “indigenous”, and certainly animist. Their connection to the earth is strong, as well as the sea, a mountainous island that is unique among the world’s landscapes and unique in its culture.

Iceland retains much of its ruggedness well into the 21st century. They’ve experienced a lot of deforestation, but most of it occurred during the first years of colonization a millennium ago. Power lines cross the otherwise empty landscape, but otherwise it is still mostly unspoiled. In this way, Iceland is not very much different from some areas of the Himalayas I encountered- the powerlines mark both with the sign of modernity, but retain much of its natural brilliancy. Let’s hope the conservation of Iceland’s natural splendor is taken as seriously by its people as its 100% renewable geothermal and hydroelectric energy. And lets hope tourism to Iceland does not explode out of proportion with what it the land is willing to bear.

The raw power of nature in Iceland is something that is still unstoppable. The volcanic activity is substantial: the largest single eruption in modern times occurred here in the 1700s, purportedly shooting lava plumes 1 km in height into the sky! Incredible. Nature here is still something feared and respected, and not just considered pretty or even worshiped as “mother earth”. No- Mother Earth truly is a bitch here! She was the mother of Þórr after all! In Iceland, waterfalls still rage, volcanoes roar, and you truly do feel the power and glory of unspoiled nature. 

See those glaciers on top of the mountain up there in the picture? They may not be there for long. Icelanders- if you truly are as connected with nature as you say you are, you must protect these natural treasures for everyone to come, especially the rightful owners of this land- yourselves! If anything, do it for selfish reasons! Nature can be savage, but now humanity can even fell the mighty glaciers that once covered this great land. 

What does it mean to deterritorialize?

“For essential reasons: the unity of all that allows itself to be attempted today through the most diverse concepts of science and of writing, is, in principle, more or less covertly yet always, determined by an historicometaphysical epoch of which we merely glimpse the closure. I do not say the end. The idea of science and the idea of writing—therefore also of the science of writing—is meaningful for us only in terms of an origin and within a world to which a certain concept of the sign (later I shall call it the concept of sign) and a certain concept of the relationships between speech and writing, have already been assigned.”  –Derrida, Of Grammatology

It was Deleuze and Derrida who almost simultaneously recognized that writing or code inheres in the fabric of more than modern civilization- the code of a computer, genetic code, military secret code, the code of the law, etc. etc. Is this only because linguistic signs and metaphors permeate discourse itself- language not being able to escape language- or is this ontologically actually the case? One would probably go with the former at first in non-anthropomorphic cases, but what if information itself somehow is ontologically primary in reality? Quantum information theory says as much.

By referring to genetic material as code, what do we mean? We mean there is a sequence, a series of particular entities that in one combination produce one biological or chemical product, and in another produce another. The key aspects here of code are combinations, sequences, and corresponding production. Is the key aspect of this the sequence itself, the combination? No, it is reproduction, or corresponding production. Code reproduces itself. A code is stable, as a key or cipher it remains constant so that variable productions can occur. If we continue to use DNA as a model, we should recognize here the differences between transcription, translation, and replication. Code here reproduces itself but also produces new entities by means of mirror replication or half replication. Correspondingly, a signifier refers to other signifiers in the chain of meaning, referring to the original code in a semi-autonomous but never completely redundant way. Redundancy itself eliminates or reduces the possibility for errors, for mutations in intended meaning.

As a professional copy editor, I am told by my company to eliminate redundancy, but I have found that a certain amount of redundancy fills a paper out. There is a distinct difference between “to verb” and “in order to verb”, despite it being categorized as an “inflated phrase”. Of course there can be too much redundancy- this kind of redundancy would probably be eliminated quickly by helpful “editing proteins” in DNA. But the problem is that we are always operating on several codes at once- one’s professional code, one’s ethical code, one’s personal code, one’s biological code (sometimes my code tells me to sleep instead of writing long blog posts in the middle of the night). While we are slaves to our code, our pro-gram (credit to Derrida), we are also in some sense the programmers. Perhaps what it means to be human is that we are given a certain program, namely ourselves, and it is our task to hack it as much as humanly possible without “shorting the circuit”. Perhaps this is what Foucault drove at with the “limit experience”. Perhaps this is what Deleuze truly meant by deterritorialization, with all the warnings that come attached. Deleuze always formulated deterritorialization as a decoding explicitly. One only gets out of a territory by means of a decoding of a certain flow of X.

Oh boy, have we entered into the terrain of cliches? One hears the right-wing all the time say we need to “deprogram” ourselves from liberal hogwash. Cue the Matrix metaphors about taking the red pill! Here’s the problem with a cliche- it did mean something at one point. Yes, getting out of your territory is getting out of your comfort zone. So what? Its still good advice. But think about why its your comfort zone. Perhaps you have comfort zones you haven’t discovered yet- that’s a nice thought. For instance, I have recently found a passion for chess that I never thought I would have. I at one point never thought I would be into French postmodernism, but here I am.

And so, we come full circle to the quote at the beginning of the essay. What is Derrida saying is occurring? A deterritorialization of the whole field of language. Or, more precisely, the beginning of the end of a certain era having something to do with language. What he was referring to is also called the “Death of Speech”.

Is this Death of Speech a bad thing? Death can also be a rebirth, but here we should avoid the temptation to avoid historical and dialectical cliches. No- time really is linear. A death of speech cannot be reversed. But what is Derrida even referring to? A fundamental change in the nature of human communication. This fundamental change corresponds with changes in how we perceive communication itself, and thus, in social being itself.

Welcome to the Digital Age- stay tuned for more developments!

There’s no celebration of Posthumanism here, only a diagnosis of our present predicament. A historicometaphysical epoch is determinant, after all. Try as you might, one thing is for certain- there is no escaping the present.

Is there anything new I can offer to essentially the hodgepodge of already formulated ideas? Only the drawing of relationship, only creating the map at the edges of which we find the signifier for something more, a new direction. We have our web of concepts: code, Death of Speech, deterritorialization, and the modern importance of the digital or cybernetic. This has all been explored ad nauseam by Deleuze in Societies of Control, by Derrida, but lets dive head in, shall we?

There are two aspects to consider more closely- the prediction of the development of the current historicometaphysical epoch and outlining any concepts that we appear to have missed. Deleuze has indicated that deterritorialization by way of formation of new subjectivities through creative experimentation can counteract the effect of digital societies of control. In other words, in an era filled with new cybernetic mechanisms bent on shaping one’s self to be more penetrable to capitalist exploitation and marketing, through stimuli and response control in a Pavlovian sense, Desire itself is the target of an individual’s subjectivity.

Therefore, my recommendations for future areas of “research” or personal subjectivation: if the problem for forming a truly individual subjectivity is outside stimuli that creates and forms Desire, there are two possible avenues: the “ascetic” route of personal denial and the “tantric” route of shaping and playing with one’s desires.

If we truly want to reshape the world, we don’t only need to “look in the mirror”. We need to reevaluate our (shared) individual and collective desires.

So we have come to a useful conceptual distinction: individual and collective Desire. Nothing that hasn’t been said before, but a useful one. But perhaps more originally, I have offered a distinction between an “ascetic” and “tantric” route to subjectivation, and suggested a dichotomy. I am always intrigued by the concept of “unplugging” in the modern world: going a month without TV, etc. It would be difficult for me, I admit. I think this is exactly what our world needs right now. But I also believe that there must be a libidinal substitute for any kind of ascetic denial. TV is great! So if you plan on getting rid of TV for a month- make sure you are going somewhere nice and won’t be bothered it, or are planning on reading some good books. In a society that encourages binge watching, I purposefully try to watch an episode of my favorite shows per day.

Or, you could “go to the end”- the tantric route- use Desire to eliminate desire. Binge watch until you can go without TV for a year. Watch everything you want to watch, and then get sick of it. This route is NOT for the faint of heart!

And if you are interested in collective liberation, and think me talking about binge watching won’t effect anything, that I’m “feeding into the neoliberal paradigm”, think twice: I’m one step ahead of you! In an era of atomized individuals, we have to work on ourselves first. In other words: we have to deatomize. How? Before coming together in a big chemical reaction that will shake the foundations of the earth, we have to be chemically prepared. I’m saying- if you want a revolution, a political one, it needs to start by recognizing that our current industrial way of life is in the long term completely unsustainable. And no, Zizek, it won’t all be fixed by green energy and luxury space communism.

This kind of experimentation with alternative lifestyles, particularly associated with the green movement, is quickly co-opted by the capitalist hegemony. As Zizek points out, the true alternative is a liberatory framework for society, but this isn’t only in terms of changing the nature of production. Taking down consumer society starts with taking down the DESIRE FOR CONSUMER SOCIETY.

Unfortunately, we have to recognize that despite the enormous conveniences of modern capitalist society for the First World, it has never been that way for the Third World. And we can’t avoid what’s coming.

Yes, we do have to deprogram ourselves, and fast. The ocean is rising

Why does Jordan Peterson exist- SJWs or crowdfunding?

Social Justice Warriors. SJWs. Is the term valid? As a progressive, I have an instinctive gut reaction against the “anti-SJW industry” or people like Jordan Peterson who make their living making “podcasts” or other internet drivel ranting. I swear to Buddha, I’ll drop dead before I accept cash for my opinion over the internet.

But do social justice warriors exist? Is it a caricature? I think something is developing that is far more disturbing- the SJW industry. What the liberal left and right fail to comprehend is that everything can be commodified. There is an SJW industry, a network of “passionate social justice activists” who put their opinions online for money in the name of justice, and then there are anti-feminists who…end up doing the exact same thing.

My hypothesis is that what fuels the creation of people like Jordan Peterson is not just “the internet” or “social media”. The fact that Peterson is crowdfunded by Patreon is a significant development. What does it mean?

I believe it means that the model of news/infotainment that was perfected by the cable news industry, now that it has moved online, has transformed into an infotainment “a la carte” menu, where people pick their opinion and fund it directly. In turn, people are increasingly driven to make their opinion or felt subjectivity into their career; they are programmed to commodify themselves ceaselessly. Peterson is the example of a success-story. The endless self-commodification of our culture (one could argue I’m also a victim, I’m “advertising myself” in some fashion right now) has managed to permeate discourse to the degree where speech itself, in a Deleuzian fashion, has become rotten. Meaningful speech has ceased to exist. There is always just an underlying profit motive.

If that’s not depressing enough, if discourse itself hasn’t just become one big farce, if we aren’t just talking past each other in a giant Tower of Babel (credit to Landzek at Constructive Undoing blog), then consider this:

We can now commodify things that have never been commodified before: feelings, thoughts, experiences, emotions. All virtual, all simulated, everything empty, shallow, and meaningless.

On a sidenote: crowdfunding is a byproduct of consumer capitalism, specifically of what Marx called the production of new needs, or even more specifically, the need to “fulfill your dream”. Want to become a successful rapper? Cook? Need to pay off your credit card debt? Indiegogo baby!

When you were a kid and you wouldn’t eat your peas, your mom told you there were starving kids in Africa. Millennial moms will just say “oh my poor precious baby, you don’t have to eat anything, you are my little precious angel!”

Do I believe that millennials are all completely narcissistic and entitled? No. But I do think you feed into conservative propaganda when you refuse to take your inherent First World economic privilege into account. Unless you are homeless or terminal, don’t come crying to me, we all have problems.

What created Jordan Peterson?

  1. Identity politics and a refusal to look at class as a primary determinant of life
  2. The modern “gender studies” focus on “transformative identity” which reinforces narcissistic individualism in today’s activist culture
  3. A dynamic of increasing self-promotion in modern cybercapitalism

Perhaps Zizek is right that we need to become more alienated from each other first to fix these problems.

 

Boredom, transgression, and knowledge: The Borromean Knot

I never want to be a polemicist. Take what Milo Yiannopoulos does for a living: he makes money spouting his unproductive and vile political opinions to the masses- and what comes out of it? Perhaps the end game is getting more people to vote for Trump. Perhaps he thinks there is some sort of value for “society at large” (whatever that means), for civil society- “the value of free speech”.

To me, this is a symptom of a society with too much time on its hands. The alt-right is a product of internet culture- that much is known to the left-wing intelligentsia. But what is internet culture the product of? Boredom.

Surplus time: a commodity we seem to have too little and too much of at the same time. We rush to get to work, then waste our time when we are there. I’ve seen graphs of productivity rising over time for the average worker while wages have stagnated: I have to say I’m incredulous at those statistics. Average productivity has probably risen due to the effect of the rise of constant capital- in non-Marxist jargon, technological development. More mass production does not equate to higher worker productivity as an effect of the worker. Now, I’m willing to concede that worker productivity can also have risen due to other factors- namely, when I think of the service economy, I think of the drive to make minimum wage workers work as efficiently as possible, and there’s nothing they can do about it. But I’m not talking to the minimum wage worker. You know who I’m talking to.

Yes, you, the modern bourgeoisie- the middle classes. 

The middle class has the luxury of boredom, the dreadful curse of boredom. Coupled with a failed education system/intellectual culture, the disappearance of social sphere outside the cybersphere, and you have a recipe for a lot of “unproductive” nonsense.

As Zizek points out, modern consumer capitalist culture’s ideological underpinnings are no longer just “work hard and you will get what you need”, emphasizing personal responsibility: the motto of consumer culture is “Work Hard (not too hard), Play Hard”. In short- “Enjoy yourself”. I am certainly not immune to this inculcated attitude.

Here I believe Zizek, because of his Lacanian training, doesn’t use the right terminology. My disagreements with him often boil down to terminology- but I believe those differences are enlightening. This injunction “enjoy yourself” is not just the “ideological superstructure”- it is immanently the way society interacts with itself. In short, the mode of interaction of society is that phenomenon called culture, or behavior.

Everyone on the left knows counterculture has been co-opted. They can see it clear as day as far back as the “original” counterculture- even the hippies were already a brand, a style of clothing, a type of music you listen to.

The true “counterculture”, like Jesus, doesn’t go around announcing they are the counterculture to the world. The true iconoclasts, as Nietzsche realized, are in living in caves. And they don’t come back to write books either. Thus, the true counterculture doesn’t really exist.

“Ok, we’ve heard all this before, transgression exists in relation to the social norm in which it is supposed to be opposed, there is a secret libidinal link between them- what is the nature of the link?”

If you only think of this link in terms of psychoanalysis- the transgressor is the secret desire of the normative individual, and vice versa, you miss a lot of nuance (and I would argue, you miss reality). When Lacan says something to this effect, I believe he is not referring in a reductive way to an *actual* repressed desire, but a kind of *virtual* repressed desire. What does the transgressor represent to the normative person? What does he embody? What in him does he hate, and therefore forms the object of the fixation? Did Nixon really want to be a hippie and “let it all hang loose”, but he was afraid of what his close friends and family would say? Of course not.

But we can say that to the conservative middle classes, the hippie represents something unattainable- the state of ecstatic union, which is fundamentally denied to them by their Puritanical Christian theology.

Nowadays, the state of ecstatic union is commonplace- rave culture, your last one night stand at the bar.

And therefore, we must ask- what does the “bourgeois family” represent that is unattainable to the poly-amorous libertine? The unattainable stability and comfort which they constantly try to unconsciously undermine.

And so, does the truth lie somewhere in the middle? Hold your horses- the point is that these things are also unattainable for the hippie and the bourgeois stiff themselves- the family life they constantly try to rigidly enforce mechanically rather than organically, the party life which they use to try to achieve some sort of spiritual release.

And so we come to the hidden link between the hippie and the bourgeois- a fundamental religiosity, which I believe has something fundamental to do with being 1) a baby boomer (in the context of the 60s cultural divide) 2) being American.

We now have new manifestations of these phenomena- former hippies’ children rebelling in strange ways to their parents who were largely too detached, or simply fundamentalist families’ children being inevitably exposed to *anything* beyond the narrow confines in which they were raised. This creates a new kind of generational divide, taking the form of a more profound “rebellion” than usual in adolescence.

What is my ultimate point? If you go deep back into American culture- and I mean deep- you can see that none of this is new. Fights between atheists and theists that get so heated on the internet- despite the political implications, nothing that hasn’t been done before in the time of the Revolution. The most horrid realization I believe we should take away is- having a certain point of view is no guarantee of being a good person, or even a respectable personUnless you are person of considerable influence, ultimately it might not matter very much 

What do you do with that kind of knowledge? Your opinion matters with respect to the ultimate direction of mass movements, you are told- sure, ok.

So, you could wrap back around to the philosophy: “I should do what’s ultimately best for me (and my family)”. OK, hold your horses- that’s where we started, and we already tried to identify why that’s problematic beyond simple moralizing.

Here’s something to consider- isn’t that position- egoism- just more boring?

“But Stephen, I thought you said we shouldn’t make our decisions based off boredom”.

All thought and knowledge is inextricably linked with pleasure. Thank Foucault for that one.

When we get closer and closer to seeing how combating something called conformity requires producing a whole new form of subjectivity, something that could be called a life process, when we have to grapple with modern boredom, and not try to become un-bored, but *accept it*, then perhaps we can achieve a boring goal, a noble goal-

Not being a shitty person.

And perhaps the most unnerving thing we have to realize is- perhaps unless you work at it, you are a default shitty person (because of social and historical forces beyond your control). Or rather- this may be a useful fiction to believe.

I’d rather be a moralizer than a polemicist

 

 

The war begins: problems in framing the anti-war argument

 

The argument that is being used on progressive and Russian channels is summarized in the video above from RT: “the strike on Syria could cause World War III”.

Is this a believable argument? A hot war with Russia, in the sense of Russia supporting the Syrian regime, seems a definite possibility. The actual argument is as we speak being used by the fringe as well- Alex Jones just released a clickbait video with WWIII in the title. Should the anti-war movement continue to rely on the “slippery slope” argument to deter intervention in Syria? In addition, the anti-war position is being compromised by its association with the anti-Semitic position that the “global Zionists” are behind the attack.

We shouldn’t resort to hypothetical scenarios to argue against US and European involvement in Syria. The arguments we should fall back on should be based in anti-imperialism: the idea that in principle, the US should not start an offensive war against the Syrian regime, because in reality, the motive stated for the attack does not match up with the facts. It is true that an independent investigation into the chemical attacks has not been conducted. The body in charge of the upcoming investigation, the OPCW, was scheduled to arrive in Damascus tomorrow. The timing of the attack is not coincidental, and neither is the target- Damascus, the heart of Syria. This is a calculated psychological blow to the Syrian regime. If it is a one time attack, the propaganda message is clear- we can attack whenever we want without any sort of authorization.

The involvement of the UK and France is especially troubling, but maybe not all that surprising considering the current leadership of Theresa May and Macron. The almost naked way the war is being spun as “vital to US interest” demonstrates that the action is a clear violation of international law. And of course, the Democratic party does not oppose the strikes in principle- in fact, many believe the actions are “for show”, a ploy of Trump’s to distract against the Russia investigation (!).

Even if this doesn’t lead to further bloodshed, we should oppose these kind of actions in principle, as a clear act of aggression by a foreign power intervening in the civil war of another sovereign power, not to mention the civilian casualties that will inevitably result from bombing the capital of that sovereign country.

My prediction: regime change is on the way, in the next couple of months for Syria